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I'm going to come back to let very shortly. SRG B adjust the GAM, all that good stuff. You can see what this looks like in linear mode.

Here's our lot's controls our color controls. So we're going to quick it, and here you go.

That's hiding all those settings from us.

We're going to go to our Redshift menu, head on down to red shift, render view, fire that up and to apply a lot and reveal some other color correction settings, really click this sneaky little gear. And in 3d, it's becoming more and more common to add these lookup tables, these color grades, and bake them directly into your render or utilize them in your Redshift render view and kind of audition different color grades, adjust them and be able to try out a bunch of different looks.ĮJ Hassenfratz (01:33): So we'll play a lot. So things like red shift after effects, you can use these same color grades, across many, many apps. You can basically think of them as color grades that you can save and share and utilize across many apps. Before we begin, don't forget to download the project file so you can join in on all the fun.ĮJ Hassenfratz (00:41): If you're familiar with magic bullet or DaVinci resolve, you've probably heard of the term a lot before now, LUTs, or look up tables, not looking up at tables that makes zero sense or a table of numbers that convert color values in an image or a frame. And in it, we're going to talk all things LUTs now to follow along. This tutorial comes from our advanced course, cinema 4d assent. But where do you find new lots and how can you utilize them in your own renders? Let's find, Hey, motion, yours EGA here. Tutorial Full Transcript Below 👇:ĮJ Hassenfratz (00:00): LUTs or look up tables can allow you to add color grades to punch up raw footage or add filmic looks. Over the course of 12 weeks, you’ll go from beginner to intermediate level 3D artist that’s fluent in Cinema 4D and familiar with other 3D tools. Cinema 4D Ascent will teach you the fundamentals of some of the most important and marketable 3D concepts.